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 Soulful Romantic Song - ASHAON KE DIN
by Dr RN Mahanty Composer and Singer 2:46 - 1,436 views 09 soulful songs .. https://www.youtube.com/watch?v=xR4E6ukjkF8&list=PLWGGvC0bcrQJ7k2YM5JMgYHJyTGn00kMA&index=8 Ashaon Ke Din New Hindi Song similar to evergreen old hindi songs Composer and Singer: Dr R N Mahanty Music Arranger: Manash Bhattacharjee Lyricist: Sujoy Banerjee #HappyNewYear2021 #NewTune #NewComposition Bollywood songs, more formally known as Hindi film songs or filmi songs, are songs featured in Bollywood films. Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. Hindi film songs form a predominant component of Indian pop music, and derive their inspiration from both classical and modern sources. Hindi film songs are now firmly embedded in North India's popular culture and routinely encountered in North India in marketplaces, shops, during bus and train journeys and numerous other situations. Though Hindi films routinely contain many songs and some dance routines, they are not musicals in the Western theatrical sense; the music-song-dance aspect is an integral feature of the genre akin to plot, dialogue and other parameters. Linguistically, Bollywood[3] songs tend to use vernacular Hindustani, mutually intelligible to self-identified speakers of both Hindi and Urdu, while modern Bollywood songs also increasingly incorporate elements of Hinglish. Urdu poetry has had a particularly strong impact on Bollywood songs, where the lyrics draw heavily from Urdu poetry and the ghazal tradition. In addition, Punjabi is also occasionally used for Bollywood songs. The Indian music industry is largely dominated by Bollywood soundtracks, which account for nearly 80% of the country's music revenue. The industry was dominated by cassette tapes in the 1980s and 1990s, before transitioning to online streaming in the 2000s (bypassing CD and digital downloads). The first song recorded in India by Gauhar Jaan in 1902 and the first film made in Bollywood ‘Alaam Ara' in 1931 were under Saregama India Ltd., India’s oldest music label owned by RPSanjiv Goenka Group of companies. As of 2014, the largest Indian music record label is T-Series (which has the world's most-viewed YouTube channel) with up to 35% share of the Indian market, followed by Sony Music India (the largest foreign-owned label) with up to 25% share, and then Zee Music (which has a partnership with Sony). As of 2017, 216 million Indians use music streaming services such as YouTube, Hungama, Gaana and Saavn. Hindi film songs are present in Hindi cinema right from the first sound film Alam Ara (1931) by Ardeshir Irani which featured seven songs. This was closely followed by Shirheen Farhad (1931) by Jamshedji Framji Madan, also by Madan, which had as many as 42 song sequences strung together in the manner of an opera, and later by Indra Sabha which had as many as 69 song sequences. However, the practice subsided and subsequent films usually featured between six and ten songs in each production. Right from the advent of Indian cinema in 1931, musicals with song numbers have been a regular feature in Indian cinema. In 1934 Hindi film songs began to be recorded on gramophones and later, played on radio channels, giving rise to a new form of mass entertainment in India which was responsive to popular demand.[9] Within the first few years itself, Hindi cinema had produced a variety of films which easily categorised into genres such as "historicals", "mythologicals", "devotional, "fantasy" etc. but each having songs embedded in them such that it is incorrect to classify them as "musicals". The Hindi song was such an integral features of Hindi mainstream cinema, besides other characteristics, that post-independence alternative cinema, of which the films of Satyajit Ray are an example, discarded the song and dance motif in its effort to stand apart from mainstream cinema. The Hindi film song now began to make its presence felt as a predominating characteristic in the culture of the nation and began to assume roles beyond the limited purview of cinema. In multi-cultural India, as per film historian Partha Chatterjee, "the Hindi film song cut through all the language barriers in India, to engage in lively communication with the nation where more than twenty languages are spoken and ... scores of dialects exist". Bollywood music has drawn its inspiration from numerous traditional sources such as Ramleela, nautanki, tamasha and Parsi theatre, as well as from the West, Pakistan, and other Indic musical subcultures. For over five decades, these songs formed the staple of popular music in South Asia and along with Hindi films, was an important cultural export to most countries around Asia and wherever the Indian diaspora had spread. The spread was galvanised by the advent of cheap plastic tape cassettes which were produced in the millions till the industry crashed in 2000. |
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 Remix - AAP KO HAMARI KASAM
by Dr RN Mahanty Composer and Singer 3:25 - 4,278 views 15 SONGS .. https://www.youtube.com/watch?v=xR4E6ukjkF8&list=PLWGGvC0bcrQJTMmO8fehkLy0iwAzhkSBe&index=1 AAP KO HAMARI KASAM....Remix of BEKARAR KARKE HAME Singer: Dr RN Mahanty.. Composer: Manash Bhattacherjee.. Music Arranger: Subhadeep Majumdar.. Lyricist: Sujoy Banerjee Gaane Sune Ansune | Saregama Music #NewHindiSong #Remix #BekararKarkeHame Bollywood songs, more formally known as Hindi film songs or filmi songs, are songs featured in Bollywood films. Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context.[1] Hindi film songs form a predominant component of Indian pop music, and derive their inspiration from both classical and modern sources.[1] Hindi film songs are now firmly embedded in North India's popular culture and routinely encountered in North India in marketplaces, shops, during bus and train journeys and numerous other situations.[2] Though Hindi films routinely contain many songs and some dance routines, they are not musicals in the Western theatrical sense; the music-song-dance aspect is an integral feature of the genre akin to plot, dialogue and other parameters.[1]:2 Linguistically, Bollywood[3] songs tend to use vernacular Hindustani, mutually intelligible to self-identified speakers of both Hindi and Urdu, while modern Bollywood songs also increasingly incorporate elements of Hinglish.[4] Urdu poetry has had a particularly strong impact on Bollywood songs, where the lyrics draw heavily from Urdu poetry and the ghazal tradition.[5] In addition, Punjabi is also occasionally used for Bollywood songs. The Indian music industry is largely dominated by Bollywood soundtracks, which account for nearly 80% of the country's music revenue. The industry was dominated by cassette tapes in the 1980s and 1990s, before transitioning to online streaming in the 2000s (bypassing CD and digital downloads). The first song recorded in India by Gauhar Jaan in 1902 and the first film made in Bollywood ‘Alaam Ara' in 1931 were under Saregama India Ltd., India’s oldest music label owned by RPSanjiv Goenka Group of companies.[6] As of 2014, the largest Indian music record label is T-Series (which has the world's most-viewed YouTube channel) with up to 35% share of the Indian market, followed by Sony Music India (the largest foreign-owned label) with up to 25% share, and then Zee Music (which has a partnership with Sony).[7] As of 2017, 216 million Indians use music streaming services such as YouTube, Hungama, Gaana and Saavn.[8] Hindi film songs are present in Hindi cinema right from the first sound film Alam Ara (1931) by Ardeshir Irani which featured seven songs. This was closely followed by Shirheen Farhad (1931) by Jamshedji Framji Madan, also by Madan, which had as many as 42 song sequences strung together in the manner of an opera, and later by Indra Sabha which had as many as 69 song sequences. However, the practice subsided and subsequent films usually featured between six and ten songs in each production.[1]:20 Right from the advent of Indian cinema in 1931, musicals with song numbers have been a regular feature in Indian cinema.[9] In 1934 Hindi film songs began to be recorded on gramophones and later, played on radio channels, giving rise to a new form of mass entertainment in India which was responsive to popular demand.[9] Within the first few years itself, Hindi cinema had produced a variety of films which easily categorised into genres such as "historicals", "mythologicals", "devotional, "fantasy" etc. but each having songs embedded in them such that it is incorrect to classify them as "musicals".[1] The Hindi song was such an integral features of Hindi mainstream cinema, besides other characteristics, that post-independence alternative cinema, of which the films of Satyajit Ray are an example, discarded the song and dance motif in its effort to stand apart from mainstream cinema.[1] The Hindi film song now began to make its presence felt as a predominating characteristic in the culture of the nation and began to assume roles beyond the limited purview of cinema. In multi-cultural India, as per film historian Partha Chatterjee, "the Hindi film song cut through all the language barriers in India, to engage in lively communication with the nation where more than twenty languages are spoken and ... scores of dialects exist".[10] Bollywood music has drawn its inspiration from numerous traditional sources such as Ramleela, nautanki, tamasha and Parsi theatre, as well as from the West, Pakistan, and other Indic musical subcultures.[11] For over five decades, these songs formed the staple of popular music in South Asia and along with Hindi films, was an important cultural export to most countries around Asia and wherever the Indian diaspora had spread. |
 Remix - MILI EK AJNABI SE
by Dr RN Mahanty Composer and Singer 3:37 - 2,313 views 15 SONGS .. https://www.youtube.com/watch?v=xR4E6ukjkF8&list=PLWGGvC0bcrQJTMmO8fehkLy0iwAzhkSBe&index=1 MILI EK AJNABI SE .. Remix of EK LADKI BHEEGI BHAAGI Singer: Dr R N Mahanty, Professor, NIT Jamshedpur.. Composer: Manash Bhattacharjee.. Music Arranger: Subhadeep Majumdar.. Lyricist: Sujoy Banerjee Gaane Sune Ansune | Saregama Music #NewHindiSong #Remix #EkLadkiBheegiBhaagiSi Bollywood songs, more formally known as Hindi film songs or filmi songs, are songs featured in Bollywood films. Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context.[1] Hindi film songs form a predominant component of Indian pop music, and derive their inspiration from both classical and modern sources.[1] Hindi film songs are now firmly embedded in North India's popular culture and routinely encountered in North India in marketplaces, shops, during bus and train journeys and numerous other situations.[2] Though Hindi films routinely contain many songs and some dance routines, they are not musicals in the Western theatrical sense; the music-song-dance aspect is an integral feature of the genre akin to plot, dialogue and other parameters.[1]:2 Linguistically, Bollywood[3] songs tend to use vernacular Hindustani, mutually intelligible to self-identified speakers of both Hindi and Urdu, while modern Bollywood songs also increasingly incorporate elements of Hinglish.[4] Urdu poetry has had a particularly strong impact on Bollywood songs, where the lyrics draw heavily from Urdu poetry and the ghazal tradition.[5] In addition, Punjabi is also occasionally used for Bollywood songs. The Indian music industry is largely dominated by Bollywood soundtracks, which account for nearly 80% of the country's music revenue. The industry was dominated by cassette tapes in the 1980s and 1990s, before transitioning to online streaming in the 2000s (bypassing CD and digital downloads). The first song recorded in India by Gauhar Jaan in 1902 and the first film made in Bollywood ‘Alaam Ara' in 1931 were under Saregama India Ltd., India’s oldest music label owned by RPSanjiv Goenka Group of companies.[6] As of 2014, the largest Indian music record label is T-Series (which has the world's most-viewed YouTube channel) with up to 35% share of the Indian market, followed by Sony Music India (the largest foreign-owned label) with up to 25% share, and then Zee Music (which has a partnership with Sony).[7] As of 2017, 216 million Indians use music streaming services such as YouTube, Hungama, Gaana and Saavn.[8] Hindi film songs are present in Hindi cinema right from the first sound film Alam Ara (1931) by Ardeshir Irani which featured seven songs. This was closely followed by Shirheen Farhad (1931) by Jamshedji Framji Madan, also by Madan, which had as many as 42 song sequences strung together in the manner of an opera, and later by Indra Sabha which had as many as 69 song sequences. However, the practice subsided and subsequent films usually featured between six and ten songs in each production.[1]:20 Right from the advent of Indian cinema in 1931, musicals with song numbers have been a regular feature in Indian cinema.[9] In 1934 Hindi film songs began to be recorded on gramophones and later, played on radio channels, giving rise to a new form of mass entertainment in India which was responsive to popular demand.[9] Within the first few years itself, Hindi cinema had produced a variety of films which easily categorised into genres such as "historicals", "mythologicals", "devotional, "fantasy" etc. but each having songs embedded in them such that it is incorrect to classify them as "musicals".[1] The Hindi song was such an integral features of Hindi mainstream cinema, besides other characteristics, that post-independence alternative cinema, of which the films of Satyajit Ray are an example, discarded the song and dance motif in its effort to stand apart from mainstream cinema.[1] The Hindi film song now began to make its presence felt as a predominating characteristic in the culture of the nation and began to assume roles beyond the limited purview of cinema. In multi-cultural India, as per film historian Partha Chatterjee, "the Hindi film song cut through all the language barriers in India, to engage in lively communication with the nation where more than twenty languages are spoken and ... scores of dialects exist".[10] Bollywood music has drawn its inspiration from numerous traditional sources such as Ramleela, nautanki, tamasha and Parsi theatre, as well as from the West, Pakistan, and other Indic musical subcultures.[11] |
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